Annie Sarachan art work

2015; ink on paper; 20" x 15"

Made by pouring ink and water through found scraps of carpet and rags to discover what can be absorbed and traced from the used material.

Made by pouring ink and water through found scraps of carpet and rags to discover what can be absorbed and traced from the used material.

2015; ink on paper; 20" x 15"

Made by pouring ink and water through found scraps of carpet and rags to discover what can be absorbed and traced from the used material.

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2012; video of the artist sleeping, handmade cotton paper, bed; 80" x 60" x 25"

Recording the nights of the artist over several weeks, nights to days and silhouette of the tossing body is accelerated into a flickering light (moth at a bulb), projected onto the remains of a bed worked over. The deconstructed mattress frame is a precarious loom for threads pulled from a bedsheet. Cotton bedsheets themselves converted into a stack of loose paper on a loom table.

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The space for this work is a partially finished building in a central field of Tanzania. What will become a school is left in-progress for some months and open to the sky, for the time being it has been adopted as a worship space. In one of the rooms, a series of offerings, inspired by the space and the red kapok flowers in the dry landscape.

2013; Kapok flowers, metal tacks, found wall; 2' x 12'

The space for this work is a partially finished building in a central field of Tanzania. What will become a school is left in-progress for some months and open to the sky, for the time being it has been adopted as a worship space. In one of the rooms, a series of offerings, inspired by the space and the red kapok flowers in the dry landscape.

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2014; welded iron, embroidery thread, waxed string; 42" x 10" x 10"

Twisting the red string around the waxed white, rituals of hair upkeep (female relationships). A loose system where control over where the red fell was left somewhat to chance.

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2011; handmade abaca paper, iron rod; 2' diameter

Installation of 6 functional handmade drums and one 3’ x 4’ ink on paper drawing of puppet fingers mimicking the movement of drumming.

2011; Handmade abaca paper and steel frame, torn drywall; 2 ft. diameter

Installation of 6 functional handmade drums and one 3’ x 4’ ink on paper drawing of puppet fingers mimicking the movement of drumming.

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2014; acrylic on panel; 10 x 8 in.

2014; acrylic on panel; 8 x 8 in.

2015; sumi ink and acrylic on panel; 20 x 16 in.

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2010; found wood and yarn; 7' x 10'

Rather than a warp and weft, one continuous line. The weaving tool (knotted skein of yarn) is left available.

2010; found wood and yarn; 7' x 10'

Rather than a warp and weft, one continuous line. The weaving tool (knotted skein of yarn) is left available.

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2010; Video of the artist cleaning window with outdoor nails hanging from the rain gutter outside; twine and synthetic feathers; electric fans; projected on indoor 4' x 5' window with frosted vinyl.

2010; Video of the artist cleaning window with outdoor nails hanging from the rain gutter outside; twine and synthetic feathers; electric fans; projected on indoor 4' x 5' window with frosted vinyl.

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Annie Sarachan

Drown series

Drown series installation

Drown series

This is Not Rest

Kapok wall, part 1 in series

Kapok wall, part 1 in series

Kapok wall, part 1 in series

Nest

Nest detail

Nest detail

drum detail

To Respond to What We Carry

Preparing to Rest

Hold her secret

Buck

walk - detail

walk - detail

walk

Soften

Soften - installation detail

Soften

Kapok wall, part 1 in series